My hands try to contain the inevitable.
The fluorescent pink explodes.
It is rebellious, uncontrollable.
I try, but the color surges from within.
Hands detailed, chaos in the mind.
There is no body, only hands suspended, searching.
The tension is there: the precise versus the overflowing.
The empty background highlights that struggle.
It is my way of showing what cannot be contained.
The essence always escapes.
The “Lights” collection is characterized by the fact that by turning on two specific types of light, hidden areas of the work are revealed. Click on the buttons to discover the hidden details.
2024 © – studio@maseda-art.com – Privacy Policy – Cookies Policy – Terms and Conditions by Cristian Montesinos
En maseda-art.com trataremos la información que nos facilites con la finalidad de enviarte información relacionada con tu solicitud sobre nuestros productos y servicios. La base jurídica que legitima el tratamiento es tu consentimiento. Podrás ejercer los derechos de acceso, rectificación, limitación, oposición, portabilidad, o retirar el consentimiento enviando un email a studio@maseda-art.com. También puedes solicitar la tutela de derechos ante la Autoridad de Control (AEPD). No se cederán datos a terceros, salvo autorización expresa u obligación legal. Puedes consultar información adicional y detallada sobre protección de datos en nuestra Política de Privacidad.
In maseda-art.com we will treat the information you provide us with the purpose of sending you information related to your request about our products and services. The legal basis that legitimizes the processing is your consent. You may exercise your rights of access, rectification, limitation, opposition, portability, or withdrawal of consent by sending an email to studio@maseda-art.com. You can also request the protection of rights before the Control Authority (AEPD). No data will be transferred to third parties, unless expressly authorized or legally required. Additional detailed information on data protection can be found in our Privacy Policy.
